Aug 192013

As some of my more regular readers will know, I’m a big fan of comic book writer, and general amazing chap, Warren Ellis. As a fan I tend to find his writing pop up quite a lot in my general searches, and a few days ago a saw a quote attributed to him as part of an interview about his latest ebook short prose piece, Dead Pig Collector. The quote stuck with me, but I’ve been unable at time of writing to find the exact interview, so I don’t have a link right now. What he says, in simple terms, is that no killer ever writes themselves up as the bad guy in their own story.

No matter how deplorable they are, no matter how many innocent lives they either end or permanently affect, they all manage to do so without seeing themselves as the villain. Today then I’m going to look at a few choice villains, either from pop culture or my own games, and see how they perceive themselves. This should give GMs out there some inspiration when it comes to creating better villains for their campaigns.

The Higher Calling.

For this one you should really have already watched the flick Se7en. If not, now would be a great time to stick it on, but probably best not to have eaten much before hand. Especially not tinned spaghetti.  The bad guy in question here is called John Doe, and he believes with a powerful intensity that he’s doing the right thing when killing people. And he kills them in violent and disturbing ways. Really, this one is not for the faint hearted. But he justifies it all by convincing himself that none of his victims are innocent. True enough of the drug dealing pedophile, but the chubby guy and the pretty woman did nothing to deserve a fate as gruesome as they got.

John is a man on a mission, and although there is never a tacit acknowledgment that he believes he is doing God’s work, it is implied quite heavily. Even if we take God out of the picture though, he still thinks he has a right to these horrible things as he is telling a story and doing so in a very public way to highlight what he sees as society’s flaws and over all corruption. This goes beyond a delusion, and out the other side, becoming everything that John Doe is. Once we see that this isn’t just a way of getting attention, or a cry for help, we have to start asking ourselves why he is the way he is. I couldn’t possibly answer for this particular John Doe, but if you’re creating  bad guy with a mission, it’s worth bearing in mind.

Taking out the Trash.

So Dexter, pretty much. In that particular case we’re dealing with a psychopath that does what he can to use his impulse to kill for the greater good, but we don’t need to carbon copy the idea, and could easily do away with the psychopathy aspect entirely. But the idea that the PCs will be dealing with a brutal murderer who has a body count that staggers the imagination, but is only killing the bad guys is worth thinking about.

True, he does so in violent and ritualised ways, disposing of the bodies in such a way as to offer no closure to any of the victim’s victims, and getting in the way of state appointed justice. Would the PCs be quick to bring him in? Would they just kill him if there wasn’t enough evidence to convict, thus making themselves as bad our serial killer? Would they maybe even sympathise with hi cause, realising that he is doing the best thing he can in such terrible circumstances? Maybe the would even stop thinking of him as the villain…

The Pillar of the Community.

From what I can gather, the show Boss never did great guns state side. To be fair, not many people I’ve spoken to here in Blighty have heard of it, but I happen to think it was a powerhouse performance by Kelsey Grammer and a stellar cast. Without going into too much detail, it was a political show with the main character being massively corrupt for the entirety of his career, and only a degenerative mental illness started to slow him down. Clearly the bad guy of the piece then, but by doing what he does, he has made life better for thousands of citizens of his city.

His friends get kick backs, to his enemies he is wrath incarnate. Those he can’t silence by threatening their families with violence are quietly disappeared. And to become his enemy takes very little indeed, with even those who are his closest friends and confidants only a serious error away from being taken out of the picture. True he is almost untouchable, but even if he could be taken down, the power vacuum could be worse than leaving him where he is. Would the PCs just rush in to deal with him, or side with his enemies and engage in the kind of corrupt power plays they were trying to being to an end.

If Boss hasn’t made it onto your radar, the the truly wonderful Boardwalk Empire has a similar character played by the vastly underrated Steve Buscemi.

“I’ve earned this!”

Sadly I can’t think of anything from a movie for this one, so unless you were lucky enough to play in my Cyberpunk  2020 game last year you won’t know exactly who I’m talking about. A quick recap: a powerful man seeking more power struggles to deal with the stress of his hectic life and turns to deplorable activities. Never once does he think of himself as a bad guy though, instead justifying his actions as stress relief, no matter how much he hurts people.

It would be easier for the PCs to see this type of character as villain, but always bear in mind that he never will. The people he hurts are just collateral damage to him, and each one that falls is nothing compared to the people he thinks he will be able to help from his position of authority. They are stepping stones, and he is always careful to choose people who  will not be missed. He has no reason to justify these murders as taking out the trash, and the act of murder is a necessity for him, and a small price to pay.

I hope some of that was useful to you, and has given me some things to think about when it comes to my own villains. Especially thinking on some of  my earlier creations that were decidedly one dimensional when compared to what can be done with a ad guy. I was going to include a little bit on William Cutting from Gangs of New York, but that ended up being a larger bit of writing so may very well be a blog post all of its own in the future.

May 132013

So, in my last weekly game, we lost a character. I have written recently about death in Role Playing Games, and I’d like to think I managed to fulfill my own short criteria. The character bowed out with a greivous head wound in a high pitched battle with the US secret service, as government operatives were torturing a prime suspect in an abandoned night club, and a Senator was fleeing the scene on a pleasure boat.

For people who don’t know this, the Cyberpunk 2020 combat system is actually pretty brutal. I have changed a couple of bits of it to give it a slightly more cinematic feel, but it still has the possibility to drop a heroic character with a single round from a handgun. Although I am always happier when the combat is more interesting than that. We’d already seen it happen once, but due to the very high tech medical aid that’s available the character in question got better, and was only out of action for a few days. Still injured when they got back into the fray, so they had some negative modifiers, but future science is almost as good as magic when it comes to healing, or at least, that’s how I see it.

Not actually Diesel, but close enough...

Not actually Diesel, but close enough…

This time, the dice gods were not happy, and the first attempt at healing actually made things worse, meaning that the second attempt failed, and what with time passing, there was sadly nothing to be done.  Diesel died. He died well, and it has created some already kick ass role playing with some of the remaining characters. Mainly talking about Ed Winchester here, but others have really brought their “A” game to the table with regard to role playing.

What a lot of you might not know is that my game is almost over. I had a fixed time frame to run this game, and I expected it to last me until June, and that’s coming up fast. The party – or what’s left of it – have been given an option to get closure on their plot, and the choice about how they want to see it resolved. There’s more than one power block in play, and the characters could end up siding with either, or going it on their own. But what to do with the ex-Diesel?

This close to the end, it seems a bit of a waste of time and effort to create a whole new character, and the player has admitted that she doesn’t really see the point of it. I tend to agree, so instead, I have picked one the main antagonists from the campaign, and since he was at death’s door when they found him, he was no real threat, giving the player free reign for some challenging role playing. All I need to do is drop in a few bits of information that Christ had been keeping from everyone that are crucial in bringing the storyline to its apoplectic finale.

And this is the crux of this article: What do you do when a player character bites the big one? Does your answer change depending on system, or even on when the character dies in the story arc? DO they come back as level one – if the game supports such a thing – or of comparable power to the current characters? Do you feel comfortable handing control of an important NPC to player whose character had been happy to see them die? I would love to hear your thoughts and suggestions on this, and the comments box is just down there.

Apr 292013

I suck at poker. I understand the game, and have a high level of familiarity with the rules, but I am usually the first or second player out of a group to lose all their money. This is down to my atrocious poker face, and it’s becoming something of a hindrance during my current game.

When I GMing, I like to run games with a hint of mystery about them. Luckily, a lot of my players feel the same way, so I get to indulge this habit fairly regularly. What’s becoming a problem though is the same as it is when I pay poker; I tend to get quite excited about what’s going on. When you have two aces in your hand and a third sat on the table, getting excited means no one will take your bet, and you stand to lose a few chips. When it happens during a role playing game, you can give away valuable plot point information and reduce the investigation element of the game to naught. I don’t think I’ve been that bad so far, but I know I have been pushing my luck.

I’m sure all GMs have had that moment when they grind their teeth a little, silently screaming things such as, “You were given this clue last week!”, or, “Share the information, it’ll all make sense then”! But players don’t often do what we want or expect, and that’s a great thing. After one particularly worrying moment in my Cyberpunk game, the players wandered into a meeting with a very important person after receiving a tip-off from someone that I thought they would trust that the VIP was almost certainly going to kill them. He told them to stay the hell away from the meeting, and to not even go back to their homes. He even left them a substantial amount of money so that they could go on the run without having to worry about where their next meal was coming from, or keeping a roof over their heads until they got settled.

So of course, they went up to the meeting, and were promptly held at gun point by the VIP’s personal goons.

Should I have been surprised by this? Of course not. No GM should ever be surprised by the actions taken by players in their games . But I did get a bit exasperated, as it was far from a subtle clue that something was amiss. It was a comment from one of my long term players and best mate ever that really made me rethink my response though, and also made me want to get some thoughts down on the blog, “dude, you’re forgetting that we don’t know the script”.

Now of course this is true, but I have found myself giving the game away on several occasions recently, not just because the group went against the grain, but often when they did something that I really wanted them to do. Awarding experience for coming up with a great plan, or putting together a bunch of disparate clues to come up with an answer that makes sense is a great idea. Doing it the moment they come up with said plan is a very explicit way of saying that they’re on the right track. Even worse though is just straight out complimenting the player in question for figuring something out. If they know they’re on the right track, they have little reason to explore other ideas even if it would make sense for the characters to do so.

Luckily I have once again been blessed with players who role play to the hilt and really don’t let themselves get swayed by my inability to keep things under wrap, but in a different group, this could be a real problem. So from here on out, I promise to try harder to keep a straight face. To only give the player characters clues that they would get from in character actions rather than through rewarding them for doing what the GM wants. This should be no problem, as instead of handing out XP as and when they do something impressive, I’ll just be keeping a tally during games, and handing it out in the post game wrap up. Hopefully this will mean that they won’t know exactly what it is that they’re being rewarded for, and will incentivize them try out new and cool ideas.

I would hope that this problem doesn’t affect too many other GMs, but if it has been a problem for you in the past, either as a player or a GM, I’d love to hear from you, especially your solutions.

Oct 222012

I’m going to be running a longish campaign again soon, for the first time in over a year, and as such it’s been on my mind quite a lot (for other things that have been occupying mental space, take a look at some thoughts on a card game I’m designing).When deciding on how I will GM the game, I tend to take quite a few cues from the type of game I would like to play. This is tempered somewhat by the players’ expectations and the fact that I’m running the game for people I may not know very well, but it’s more about what I enjoy as a  player. So, what do I like, and what don’t I like?

Well, I dislike a railroaded game any longer than a simple adventure that lasts one or two sessions. If you’re working on a narrow time frame – and I have for games that have been run at events etc – then those confines mean that you will have to keep your players on the straight and narrow. One good trick for this, and it works if you totally commit to the pretense, is to keep them going where you want them, but fake a little bit of despair. As if the group has pushed you off plot and then you have to come up with something killer to bring it all back together. I know it’s a bit dishonest, but the players will love thinking that in a short game, that’s probably been played with other groups in the past, they’ve broken the boundaries and made the game their own.

Just enough to point them in right direction…

For a longer game, what I love is a sense of a huge open world. Actually, that’s not quite right; the sense of a huge open adventure comes a little closer. I’ve played games where we’ve barely left one or two city districts, and been very happy knowing that there was still countless things to do, people to interact with, and places we could go. This feeling was helped by a GM who made it clear that player actions would guide the plot to a conclusion. So this is what I want to do in my next game, a sprawling adventure where consequences of actions will drive the plot forward. However, I’m running for a gaming society that meets one night a week, and the game will be finished by the next summer; that means that a pure sandbox is out of the question.

That’s not a bad thing, as I think that sandbox games aren’t always the best way to run games. Sure they offer a world of possibilities, but they can also mean a lack of resolution or an ending that fits with the expectations of the players who have had an awesome adventure. Not everyone wants to carry on playing until they become a warlord, ruling the local area with a band of mercenaries at their disposal. Some people just want to know that the threat to their way of life has been dealt with and that they can now reap the rewards for dealing with the problem. To make this work for me, I draw your attention back to the header at the top of this article.

My game will be set in a huge and sprawling metropolis, and after the first couple of sessions – during which I will be leading the players a little, just to get them used to the setting and system – I hope that my players will take advantage and explore The City. They will find plenty to do, and an awful lot of places to go and people to talk to. As they’re walking around they will stumble across a few hooks and seeds that I’ve planted around the place. Which ones they take a swipe at will let me know the way they expect the story to go, and from there I will be able to see a way to get them moving towards the end.

What I don’t want is for the players to see what’s that far ahead of them. Instead I want them to enjoy the freedom to make decisions and live with the consequences. My solution is make sure that the players know that just over there, whenever they’re ready to take a look, there’s something cool that should help them out. As long as it’s done with a hint of subtlety, there should be no feeling of railroading, instead just the plot moving forward. As an example – and not one I will be doing, in case any of players end up reading this – the characters could be quite happily planning a job of their own, researching how to use explosives maybe? They get put in contact with a guy, who likes where they’re coming from, but needs a little something doing before he’s free to lend a hand. It’s nothing major, but for the sake of them helping him out, he’ll waive his usual fee. This job could easily lead onto the main plot, giving plenty of opportunities to drop in other important NPCs and give the players a heads up on larger developments.

If that seems to obvious, then who’s to say that the job they’re planning won’t have it’s own seeds littered about it. With a well planned plot, and a setting you know inside and out, there are many ways to let the players know where they could go next. After all, it’s fun to play in a sandbox, but if you see a sign that promises  some great toys to make the playing even more fun, you’d take a look at where it was pointing, wouldn’t you?

Oct 092012

Today my gaming society gets together and each GM gives a pitch for a full academic year long game that they want to run, and hope to get enough interest to make it happen. We’ve sadly had a body drop out for personal reasons, so with the field shrunk I should be fine to run my post-cyberpunk game set in Warren EllisTransmetropolitan universe, using the Cyberpunk 2020 rules. below is a little bit of prose that I’ve been working on as a teaser for prospective players. It basically gives a tiny bit of background about the characters’ origins and the world they will be playing in. What I haven’t done is go into detail about the style of game play – as I want that to be decided upon by the players as a committee - and the types of character they can play. The beauty of starting a campaign this way is that the players will be every-man characters, meaning they will get the chance to play pretty much anything they want, within the scope of the game. Which basically limits them to ‘human’.

I know most of you won’t be at the meeting tonight, but feel free to read it anyway, and as always, I look forward to hearing your thoughts in the comments box below.

You all had your reasons to take a spin on the roulette wheel of cryogenics. Those reasons are your own, but with the money out of your account and a detailed form filled in you were hopeful for what the future would hold. In the future, they would rebuild you. they could even make you a better you. Never liked the way your chin looked? Fine, take that picture of the person you always wished you would be and clip it to the form. Maybe even just a younger version of yourself, giving you the chance to live your life again, to avoid some mistakes, or just make sure that this time, your youth wasn’t wasted on someone young.

And then it happened. Your clock ran out. Luckily you were close enough to a hospital and had your will prepared, and after the postmortem was carried out, your head was detached and inexpertly flash frozen and sealed in its container, your paperwork stuck to the side in a clear plastic envelope. Your hopes and dreams, and your brain, thoroughly damaged by the flawed freezing procedure was placed on a shelf with dozens, hundreds of others. People like you, who threw a coin into the wishing well that is the future.

And then the day came. A day of wonder that could only happen in a future so far removed from what you could understand of the present, that to you it was just so much science fiction. They rebuild you, all of you, from the flawed respiratory system that has been the cause of countless childhood deaths by choking on food, to the human eye, a camera so complex as to stagger belief, yet made out of such simple materials as jelly and water. And as the last layers of epidermis form, and hair – wet from the chemical solution your second birth takes place in – starts to colour, the signals are bundled up from your old brain, and prepared to jump start your new head meat. You come around in fear for your life, already starting to swallow the liquid as the glass fronted door of the chamber opens automatically. Your body is unceremoniously dropped to the floor. A cold floor. hard tiles with someone else’s biological matter still staining them.

You enter the future alone, unsure what you’re doing there, and within seconds you’re vomiting onto the tiles like so many before you. It takes the assistant five minutes to notice the process has been completed, and by the time he walks into the room to look down at your naked vomit stained form – thinking about what he would do to you if the activities in this room weren’t recorded – you’ve gone into a mild shock. A grey and brown dressing gown is dropped around your shoulders as you’re asked questions to jog your memory. You answer as well as you can whilst pulling it around yourself, using the edges to wipe yourself clean as you speak, your mind beginning to come to terms with what’s happened. You’re told there’s a taxi waiting outside to take you to a hostel, that your money will be refunded in line with inflation, but without interest. They would never be able to work that out…

All these things make sense to you. Words and concepts that make you feel secure. ‘Just how different could the world be’, you think as you close your eyes and breath out as the front door is opened for you, ready to breathe in the future. Eyes closed tightly, waiting to open to allow you to take in the sites so few people from your time would ever get to experience.

The sights, smells, and sounds are now only remembered as a cacophony. The werewolf having sex with a Chinese business man. The child with half the skin on her face apparently scraped off sat watching a TV screen in the sidewalk. You think the show was called ‘Sex Puppets’, but that can’t be right. The guy with a floating digital camera behind his head talking to a women eating what was clearly the cooked arm of an Afro-Caribbean child. The adverts for Ebola-Cola, for a U.S. President called the Beast, for an enclave where feudal japan is lived and relived while people from outside watch on. The police dog talking to a drug dealer.

You don’t remember the taxi journey at all. You barely remember the first month at the hostel apart from the beatings as every penny you had was taken from you by the gangs of veteran revivals who have banded together to pray on the weak. You were lucky you recovered quickly, before you were put out on the street for business. You found a few other lost souls, all wearing someone else’s cast off clothing who no longer whimpered themselves to sleep every night. With nothing else to do, you shared stories of the time you came from, fighting back the influence of this future that seems so wrong. The only thing you seem to have in common is the time you came from. But that association is enough to keep the gangs away, to give you breathing space to take stock, and maybe, just maybe, find your place in this future.

Sep 032012

My first post since someone out there decided I was officially awesome. I better not screw this one up…

I was reading in a blog somewhere this week about inspiration for RPGs, and where it comes from. I used an example in the comments section about reading the back of a book that looks interesting, and then with no other input, imagine the plot taking part in your game world and how it would work. It’s a simple enough trick than can be very rewarding if you put the mental effort into it. Today though I want to talk about the way a massive body of work inspired me, and how I turned that inspiration into a campaign that I plan on running for roughly nine months.

What inspired me was the work of Comic book writer Warren Ellis; more specifically, his masterful run as the creator/writer of cyberpunk comic book Transmetropolitan. If you haven’t read, I strongly advise you to do so. Maybe not right at this second, but by the end of the week I expect you all to have made the effort. There may well be a test. It’s not so much the characters that inspired me, or even the story he told, but the world that he created. It’s how I went about turning that into a place people can role play in that I will be discussing today.

First off, I needed an intimate familiarity with the world. This wasn’t hard, as I was happy to take a weekend and read the entire run once more (I’ve lost track of how many times I’ve done the whole series in a single sitting) to get the feel of the setting as fresh in my mind as I could. Then I broke out a note pad and pen, and started reading again…

I had several pages with different headings, each for things I wanted to incorporate into the game world. There may well be other stuff that pops up that comes from what I remember from the comic books, or just my own imagination, but these lists are the things that I wanted to touch on that would help define the post-cyberpunk feel of the setting. Details will be a little vague if you don’t mind; I know that several of my prospective players read this blog, and due to the nature of the characters they will be playing, I don’t want to spoil too much.

The first things to go down were the easy bits that make great window dressing; the things that one can buy. Since I’m using CP2020 as my system, I knew that shopping could be a big part of the experience, and as well as keeping the basic stuff from the four chrome books – just for the sake of ease – I also wanted to make it uniquely Transmetropolitan. So every time anyone in the comic book ate something or watched an advert for a product, it went on the list. This means the players can eat baby seal eyes whilst drinking Ebola Cola.

The characters would of course need somewhere to buy these fine products from, so any shop in the books also got a list. In actual fact it was a small sub-list of general places to go. Due the sandbox nature of my GMing style, I fully expect the players to explore the wider city, and I wanted to give them a different feel for different places and wealth levels. As an example, the print district is right next to the upper class con-urb area known as Puritan Mewes, and you won’t find chain store burger bars or gun retailers in that area, more your bespoke luxury foods and weapon emporiums. I was a bit tempted at this point to consider mapping the city out; as I say, I want/expect the players to explore, but I often find that maps can be a bit of a hindrance to me when I GM. If the world exists as more of an abstract in my mind, then I can play with it a bit more to suit the needs of the game and the expectations of my players. I know some gamers and GMs may frown on this, but it works for me.

Next came the most fun bit, and also the longest list by far; fun things to do/see when wandering around the City. Because of the open world feel, and the fact that plot hooks are fairly well distributed around the game world, I needed fun things to keep the players occupied while they explored. This meant several pages, split into sub lists by the length of the experience, of just stuff. Off the top of my head as I sit and type; humans that have turned themselves into floating clouds of nano-computer robots with the ability to restructure matter, just floating past, having fun turning people’s clothes into bananas. That’s just a quick one, but for a longer term sub-plot, the players could decided to investigate a historical reservation; a place where cultures from the earth’s past are kept alive in perfectly enclosed areas. With willing volunteers re-creating them, down to the most exacting detail. The characters who wish to visit them will be totally decontaminated and vaccinated against everything that their bodies no longer have a defense for, and can interact with the past; the people living in it having had implants in their brains allowing them to see people from the real world and process the experience without being driven insane.

Add to that a couple of generic lists of names and time-lined events that I may or may not use, and I have built up a pretty good picture of a world for my players to have fun in. It took quite a bit of time, and would almost certainly have been easier to play in an established world with splat books detailing all of the above for me, but I’m such a fan of the comic book that it was totally worth the effort. And you know what they say, imitation is the most sincere form of flattery. So if you’re reading this Warren Ellis, please see it as that, and don’t sue me…

Jul 182012

This is just a little mid week update to let people know what I’m up to at the moment, and what fun stuff they can expect from me in the future. Also an announcement that you can now find me not only at the RPGBA, but also the UKGMN. Any british readers/bloggers out there, get on over and see what they do.

Since I started this blog, I’ve been reading a lot of other people’s. A lot. Mainly to see what kind of stuff people like talking about, but also to differentiate myself a little as a unique blogger. Most of the stuff I read I get from a feed over at the RPGBA , which I signed up to myself. Below are a few choice selections that I keep going back to, just because they always have something on there that makes me want to stop and read the whole entry. In no way is it an exhaustive list, that would take far too long, but consider this a highlight reel. A great read for anyone running or playing in a game, or maybe even designing one from the floor up. Writes in an easy to read style, but knows how to get under the skin of a topic very well indeed. A bunch of bloggers coming together for some kick ass GMing advice. Worth registering on the site to leave comments as the other writers are great for feedback and they have a bunch of other subscribers who come back with even more cool stuff. These guys get a special mention for being not only a damned fine blog, but for offering some very helpful tips to this new blogger. I tip my hat to them, and I assure everyone reading at home, it is a fancy hat indeed, as they deserve no less. The eponymous Jack is a great blogger, and has weighed in repeatedly on the comments section of my own humble offerings. Even better, if what he wants to say is too big an idea to be fully appreciated at the foot of a blog, he will take the time to write it out in full for all of his readers. Something that I think I need to think about going forward if I want to have even a modicum of the success he’s had. More than one blogger over here, unless it’s one person writing under several names, but either way it’s worth a look. A great series recently about how to totally rethink combat in an RPG world that every budding games designer should check out. This guy does a bit of everything, but never half-hearted. From world building, to player advice, form hot topics to games reviews, everything about the hobby seems to end on this blogger’s radar.

Now onto stuff that I’m actually creating.

Just put an entry into a best villains competition over at Stuffer Shack . Please take a look, and wax lyrical in the comments section if you like it. If I win – and it will be judged by the staff over at the website, so don’t feel the need to suck up if you don’t want to – I will reward the lovely people of the bloggosphere with some further writings on the campaign that spawned those bad boys.

I have been contacted to write a book review by a fellow blogger who can be found over here . This is an unpaid review, so when it pops up, don’t expect any bias. If I love it, you’ll know that it’s based on its own merit.

I’m also in the middle of an online interview with a couple of games designers who are getting ready to put the final draft of their game together. Hopefully in time to get it up on the UK Kickstarter that should be happening soon.

A friend of mine who runs an air-softing facility has been following this blog from the get go, and liked my writing enough to approach me to do some plot writing for air-softing adventures. I had always thought air-softing was more akin to paint-balling; shoot other people – try not to get shot, but he wants a bit more of a role playing experience for the people who rock up to his place, I’m actually looking forward to doing this one quite a lot.

Also actually playing some games, well running some. Just finished the free RPG day adventure of Only War, Fantasy Flight’s W40K Imperial Guard system, and I’ll write up some stuff from that for the blog. I would love to join the beta for it, but I simply can’t afford the twenty bucks – or Sterling equivalent – to get the pack. Hoping to get a small group together to run the first D&D next pack to write up at some point too. Come the end of September I will be starting a long ass Cyberpunk 2020 campaign, but set in the world of Warren Ellis’s Transmetropolitan. I won’t be doing regular write ups of that, it’s just not the kind of blogging I want to write, but expect a few bits from the highlight reel, and I will link to the ongoing player write ups that any my players do.

As for future blogging, I’m building up a nice buffer at the moment in case there’s no hot button subjects I want to jump on, so the first in series on how to be a bit of a lazy GM without cutting the quality of the games you’re running went live on Monday and hopefully more will follow; some discussion on why players may feel the need on occasion to run an evil character; the fun you can have if you approach board games as a roleplaying experience, and finally; why I’m actually called Shorty, and why it is that gamers seem to attract nick-names, and why that’s no bad thing. I hope you all find some reason in all that to keep reading this pokey little blog, and help it become a pokey massive blog.